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Papermaking

Handmade Paper

Fibers gathered from renewable sources become hand made paper a versatile material used by artists throughout the world.  The metamorphosis of plant fibers into paper originated over 2,000 years ago in China. Contemporary applications are extensive from functional such as clothing, communication, packaging, and tea bags or ceremonial and spiritual such as paper prayers and kites.
Industrial papermakers use trees for their fiber source.  Artist papermakers work with a variety of mostly plant fibers such as mulberry (kozo), linen (flax), cotton, gampi, mitsumata and abaca.  Paper can even be made from common plants such as milkweed, onion skin or cattails.
I purchase the harvested and dried bundles of fibers which I then soak, rinsed, cook, rinse again and beat into a pulp that is dispersed into water and screened into paper sheets.  The finest fibers such as those used for pulp painting are commonly beaten in machines for as long as 13 hours.   Western styles of papermaking use a mould and deckle to form sheets, while Eastern methods use a suketta frame.  The physical movement of dipping these screens into the vat also varies.  Typically the thinnest papers are created with Eastern sheet forming methods.  Other papermaking ingredients often include neri, a gooey substance related to the okra plant to keep fibers in suspension.  Pigments or dyes add color.
My love of papermaking started in 1997 in a summer class at the Haystack School of Crafts in Deer Isle.  I have since worked with many internationally known professionals to increase my technical understanding of this versatile and exciting medium.
Perhaps it was my gardening passion that drew me to the preparation and processing of natural materials for art making.  Each paper panel uses my own handmade papers, while some include prints I created on BFK rives paper.  Most of the fibers are cotton, abaca, flax, and kozo.  They are combined and layered onto gesso coated panels using medium, and finally coated with a UV protecting sealer.  All materials are archival.  Extending around the sides and onto the backs, the images surround the forms.
With paper the possibilities are endless from sculptural relief and installations, to as humble as a piece of beautiful writing paper.
I hope you enjoy the pieces as much as I did making them.


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4 Responses to Papermaking

Sharon
via christinejhigginsfineart.com50 months ago

This is wonderful! I have bookmarked your site and will return again to see what beautiful art you have added.

Sara
via christinejhigginsfineart.com50 months ago

Wow, It is a pleasure to see your web site come together to share your gorgeous work. I feel privilaged to have seen your works in living color. You truly put so much passion and work into the atr you create. Success to you my friend and teacher on this path!

Christine
via christinejhigginsfineart.com49 months ago

Thank you, Sara,
I still have your collage hanging in the studio for inspiration!

chick peterson
via christinejhigginsfineart.com40 months ago

' Good to hear from you and glad you are both still at it. I find really absorbing work helps stave off insanity...... or, at least, I fondly hope. Do you have an email address to which I can send an occasional note? We are all well and very busy, expecting our whole family tomorrow night for dinner. With fond, best wishes for Christmas and New Year, Sue and Chick


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